If you look over the shoulder of a core or hobby gamer today, you will surely find a gamepad in their hands. Such a controller is a must-have equipment and even the showpiece of every console. Further bundled with a sensational game title, the console appears as an irresistible package in the stores. But in the 80s, strange flowers sprouted here and there. At that time the joystick was still very popular and the home computer sector could not be imagined without it. Such a joystick was then also included with the Atari XE console. But for the overall package, Atari even included a keyboard for "advanced games" and – to get to the point – a lightgun. The toy in futuristic design was the means of virtual pest control in the included game Bug Hunt. The novel firearm, together with the launch title Bug Hunt, was the driving force behind Atari's first computer-derived console release. This seems very daring nowadays, since the control via controller is so natural. But in its time, the Atari marketing department apparently saw an advantage in the versatile usability of its console. The XE Game System was supposed to offer real arcade feeling with the help of this lightgun, which you could otherwise only get for many coins at the slot machines. Later, Nintendo also produced a lightgun called Zapper for the competing NES and marketed it together with the game Duck Hunt. In the end, it was clearly the NES that won the race for market share and the lightgun has largely disappeared, not least because of the lack of cathode ray tube monitors. So, did Atari bet on the wrong horse on the usability side, or was perhaps even the game offered in the overall package the drawback? An answer is purely speculative of course, but I mounted the horse, put on the cowboy boots and strapped on the shooting iron.
Life simulation games have a special charm: On the one hand you go through your motions from day to day, on the other hand you want to escape it by having a go at the motions of someone else. So, you kind of ask yourself what it would be like to replace your daily routine with a more exciting one from somebody else. And that is the crucial point of the genre: Is the virtual life different enough to entertain you? Has it got enough distractions to offer, at least for a short while? For Space Jobs the answer is clearly no. Because although shows signs of some promising attempts, they get lost in a maze of advertisements, half-done ideas and programming bugs.
When the Amiga was unveiled to the general public, the careers of Bud Spencer and Terence Hill were already on a clear downwards slope. Up until the early 1980s, their films had topped the European cinema charts regularly. Even today, they are quite present on TV, each time entertaining a returning audience. Their big run spanned more than a dozen films within just roughly 15 years. It isn't surprising that things became a little formulaic over time. One mainstay graced all those films in any case: the brawls!