Imagine the beginning of a great adventure: You are standing in a forest. The sky is blue, the sun is shining and the wildlife is wandering about. There is a guy named Jack, Steve or Brat next to you, who will turn out to be an invaluable source of information, for he is The Guide. With great foresight you brought a set of tools along, so you can start right away. What will it be? Do you want to start digging, to search for valuable ores and treasure caves? Or do you want to attack that slime creature that is coming closer, in the hope that it will drop some valuables? Or how about building a base, maybe a log cabin, first? All of this is possible in Terraria, an open-world 2D platformer, that combines the fun of exploration, fighting and building in one game.
Alert: Princess trapped in a dungeon below a castle; hero needed to rescue her! Castle Adventure delivers exactly what it promises: An old-school treasure hunt set first in a forest (where else?), then after a brief interlude in a cave going into a castle and its dungeon where you will encounter a mildly amusing, because completely politically incorrectly portrayed princess. Along the way, you will encounter predominantly undescribed or at least underdescribed locations which you have to map, nice and logical puzzles, mazes and lots of dead ends. To put it another way: It was a delight to play, because it did everything right – if you like this sort of thing which was heavily in style in the 80s.
Manual and box already catch the eye of the mystery fan, as – using a lot of dark colours – they summon up a story of magicians in parallel worlds, about magical portals and about a hub called Nietoom. The aura of the phantastic genre is there. The manual also helps understanding the game's starting screen. You find yourself in the bedroom of your late grandfather who, until his death, researched the location of this portal of worlds. The room is shown with a crooked horizon line and the player's avatar is actually nowhere to be seen. Maybe the now missing grandfather is supposed to be symbolic for a world in turmoil. In order to leave the room and to really start your task, you have to – as described in the manual – search the side of the screen until you find a door in the back of the viewpoint. It is only in the next room – the upper staircase of the mansion – that you can actually take a look at the protagonist: a youthful figure neatly dressed in a kind of dressing gown, sporting full, perfectly groomed hair. Though is this prissy grandson the character a Lucas Arts afficionado would like to identify with?