In this cyberpunk adventure's intro, we witness Joshua Reevs receiving a new task. Several technical achievements, like the hover board or the aircar, have become commonplace in every day life of 2099 in the twilight of omnipresent neon billboards located in run-down corners of shady districts. Those are inhabited by gangsters, thieves and day labourers, and order is only barely maintained through the constant droning of the giant screens, but also such respectable law enforcement officers as Joshua, whose military instincts have been sharpened fighting on the front lines. None other than the governor of Union City, capital of America's New Order, Hugh Martens, is the customer acting quite mysteriously. The almost omnipotent mega-corp Genesis, exerting its power on the government through straw men, has been threatened and attacked by an underground terrorist group. One of the gouvernor's agents, disguised as a journalist, has not returned from a meeting with the terrorists. So Mr. Reevs, aka the player, finds himself on top of the apartment building where said agent Simon Ruby used to live.
A lot of things went wrong in the development and publication history of Starlord. For instance, it was subject to a fairly huge marketing campaign, with full-page adverts in the style of comic book pages. Just that this marketing campaign ran all through 1993, even though the actual game was delayed by approximately half a year, so it had run out when the actual release occured. The even bigger question, however, would have been why such an inaccessible game was considered worthy of such a large marketing budget anyway, of course…
